How long is pinocchio

Director Matteo Garrone. Top credits Director Matteo Garrone. See more at IMDbPro. Trailer Official Trailer. Trailer [OV]. Clip Art of the Crew Makeup and Hairstyling. Art of the Crew Costume Design. Photos Top cast Edit. Federico Ielapi Pinocchio as Pinocchio.

Roberto Benigni Geppetto as Geppetto. Rocco Papaleo Gatto as Gatto. Massimo Ceccherini Volpe as Volpe. Gigi Proietti Mangiafuoco as Mangiafuoco. Alessio Di Domenicantonio Lucignolo as Lucignolo.

Maria Pia Timo Lumaca as Lumaca. Massimiliano Gallo Corvo as Corvo …. Gianfranco Gallo Civetta as Civetta …. Teco Celio Giudice gorilla as Giudice gorilla. Enzo Vetrano Maestro as Maestro. Nino Scardina Omino di burro as Omino di burro. Maurizio Lombardi Tonno as Tonno. Guillaume Delaunay Gigante as Gigante. Matteo Garrone. More like this. Watch options. Storyline Edit. Easily led astray, Pinocchio nine-year-old Federico Ielapi tumbles from one misadventure to another as he is tricked, kidnapped and chased by bandits through a wonderful world full of imaginative creatures - from the belly of a giant fish, to the Land Of Toys and the Field Of Miracles.

Originally written in serial form, the story was, as a result, episodic and needed to be cut down considerably in order to work as a feature film. The primary problem, however, was the protagonist; Pinocchio himself was an impudent rogue, often guilty of cruelty in the original story. His wooden body would surely make the character even less sympathetic with audiences.

In early story treatments for the film, Pinocchio retains his malice, at one point trapping Figaro's tail in a vice. Emphasis was also placed on the boy's wooden body, as he was teased for his appearance by boys, and sniffed at by a curious dog, on the way to school.

As animation had, by this time, begun, but no voice had yet been found, animators Frank Thomas and Ollie Johnston worked from the sped up voice of story man Ted Sears, intended as a temporary measure. However, Disney was still unhappy with the character of Pinocchio and halted production until a solution could be found.

The degree of humanity in the living puppet had yet to be determined and fine-tuned. In early April , however, scenes featuring other characters had been written and were being animated. Though Fred Moore had attempted to design Pinocchio in a more appealing way, it was Milt Kahl who was responsible for the character's redesign.

Kahl approached the character as though he was an ordinary boy, rather than a wooden puppet; the joints and nails could simply be drawn in afterward.

At the request of Hamilton Luske, Kahl illustrated his ideas by animating the scene in which Pinocchio dives into the sea in search of Monstro. The little wooden boy became less mischievous and more passive, wandering innocently into the hostile world that awaited him. Though Disney himself found this to be an excellent idea, giving the go-ahead for the opening scene's animation to be continued in September, some were unsure, including Wilfred Jackson, who would later admit that the change removed 'the guts of the whole story', as a more human Pinocchio in his puppet form made his transformation into a real boy less gratifying.

The Disney Studio debated about including a winter scene or a full-fledged scene featuring Christmas in the animated feature Pinocchio From a January 6, story meeting, Walt Disney said, "That's the trouble — the exhibitors will class it as a Christmas picture and only run it at Christmas time.

Well, Heidi had Christmas in it — they had quite a sequence there of Christmas It doesn't matter, we were just trying to get something pictorial in here. Albert Hurter working on the design of Pinocchio in As with Snow White and the Seven Dwarfs , Albert Hurter designed the characters, objects and locations featured in Pinocchio , and was responsible for the overall styling of the film.

Hurter's influence are particularly apparent in the scenes in Geppetto's Workshop , in which nearly every object is designed to resemble a face or creature of some sort; every object in the workshop was designed by Hurter, then realized as a three-dimensional often working model.

However, the inspirational sketch artist whose style is perhaps most prevalent in the final film was Gustaf Tenggren , who had already made his name as an illustrator before joining the studio in Tenggren reinforced the influence of European Illustration on the film having worked as successor to John Bauer for the magazine Bland Tomar och Troll ; he also kept files and cuttings on favourite American painters such as Thomas Hart Benton, Grant Wood, and Edward Hopper and shots from Hollywood films.

Gustaf Tenggren 's inspirational sketch of an aerial view of the village demonstrates the influence of American painters and Hollywood films of the time. These influences can be seen in Tenggren's inspirational sketches for the film, in which composition is made dynamic by a 'fish-eye lens' effect, depth is emphasized by exaggeration of perspective, and figures and buildings are characterized by sharpened, immaculate edges.

During his time at the studio, Tenggren did not socialize with the other artists and animators, who felt that the talented artist was too proud to want to compromise on the styling of the film. Tenggren left the studio a year before the film's release and, controversially, received no credit for the film; despite this, he is generally considered with the possible exception of Mary Blair to be the most influential artist on the visual style of Disney's films.

During production on Snow White , several crude models - including armatures for the dwarfs and a plastic Snow White head - had been constructed as reference for the animators. Grant's more detailed plastic model of the Witch did not go unnoticed by Walt Disney , who, when passing him in a studio hallway one day, asked him to "set up a little department": a "think tank" which would be responsible for the design and construction of models for use by the animators and their assistants.

Interestingly, Disney did not include Cottrell in his proposal; it is thought that separating the team of Grant and Cottrell was intended as a reassertion of Disney's power. Most artists would produce sketches and model sheets. At Disney's suggestion,eventually three-dimensional models were constructed.

Charles Christadoro , Ted Kline, Lorna Soderstrom, and Duke Russell were responsible for sculpting the clay models; these models were then fired in a kiln in Grant's own backyard, and painted by women from the Ink and Paint Department, including Helen Nervobig. Models were constructed of every character, including Pinocchio as a marionette, as well as Stromboli's Caravan , The Coachman's Stagecoach, and all of Geppetto's Toys and Clocks. Many model sheets were also produced with designs for the fish Pinocchio encounters in the sea.

The artists of the Character Model Department were also responsible for developing ideas, and were heavily involved with the story development of Pinocchio and many of the segments in Fantasia. Next to Disney himself, Grant was the most powerful man in the studio during production on Pinocchio and Fantasia ; he was increasingly relied on to make creative decisions and was determined to "appeal to Walt to stimulate him and to raise himself in his esteem.

The animators did not regard the Character Model Department fondly, often angry both at Walt's increased attention paid to it and what they believed to be very little effort put in on the part of the artists, "who could sit and whistle and make a pretty thing without much effort". Grant's department, correspondingly, saw the animators as "a hundred percent yokel". The disdain shown by each group for the other increased at the construction of the expensive new Burbank studio, which placed the Character Model Department on the third floor near Disney's office and the animators, on the first.

Upon its release, Pinocchio was not financially successful. However, others think it was too dark for being a film for family audiences. While there are also clear dark elements in Snow White and the Seven Dwarfs , these evil forces are vanquished in the film's climax; in comparison, four of the villains of Pinocchio Honest John , Gideon , Stromboli , and The Coachman continue their deeds unpunished, or at least basing on what is seen on-screen and leaving their fates open to deduction and interpretations by the viewers even Monstro 's fate is ambiguous and not clear and sure.

It is thought by some that the use of multiple villains in the film is a reflection of complexity of the Depression following the Second World War, most Disney films would be characterized by a single villain. The dark themes of the film are also thought to be a result of the film's European sources, particularly Collodi's original story the darkness of which Disney nevertheless attempted to lessen in his adaptation and a mise en scene heavily influenced by German Expressionism.

Intense sequences, such as Stromboli's imprisonment of Pinocchio, Lampwick's transformation, and Monstro's scenes, were deemed particularly frightening for young audiences. It has been speculated that this cut off an audience which may have been more ready to accept the film more than Americans, given the film's strong European influences. Despite not being initially a commercial and financial success, the film remains one of the most critically acclaimed of all the Disney animated features.

The New Yorker's review was similarly positive, arguing that "it befits us to take Pinocchio to our hearts with gratitude and pleasure. I think it is, much better, not in spite of as at least one reviewer said but partly because of the absence of so much conscious sentiment and charm.

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Pinocchio film. History Talk 6. Do you like this video? Play Sound. It is a masterwork full of episodes and fit to be developed. The Disney Wiki has a collection of images and media related to Pinocchio film. Fan Feed 1 Encanto 2 3 Mirabel Madrigal. Universal Conquest Wiki. Previous Animated Feature:.

Next Animated Feature:. Snow White and the Seven Dwarfs. Directors Guillermo del Toro Mark Gustafson. Expected See more at IMDbPro. Clip Photos 8. Top cast Edit. Tilda Swinton. Finn Wolfhard Lampwick as Lampwick voice. Cate Blanchett. Ewan McGregor Cricket as Cricket voice. Ron Perlman Mangiafuoco as Mangiafuoco voice. Tim Blake Nelson. David Bradley Geppetto as Geppetto voice. John Turturro. Burn Gorman. Gregory Mann Pinocchio as Pinocchio voice.